My work investigates the agency and theatricality of objects through the making of sound installations, performances, films, essays and publications. I make sound and visual works with theatrical props, stage hardware, novelty items, instruments, machines, apparatuses and artefacts that play with how narratives and animations are formed between objects, sounds and spectators. I have presented work at the National Review of Live Art (Glasgow), Mayfest (Bristol), Chapter Arts Centre (Cardiff), and Oriel Moystn (Llandudno). I have published on the bio-objects of Tadeusz Kantor, the scenographic landscapes of Philippe Quesne and Vivarium Studio and recently edited an edition of the Performance Research journal On Anthropomorphism with Dr Shaun May and have written an article about Katrina Palmer’s site-specific audio walk The Loss Adjusters for an issue of the Theatre and Performance Design Journal (Routledge) on ‘good vibrations’ in sound design. I am Course Leader of BA Contemporary Theatre and Performance at Wimbledon College of Art (UK).